Friday 21 December 2012

Evaluation

Question1. In what ways does your media product use, develop and challenge conventions of music videos?


The first convention that we chose to use was to use performance shots of our artist singing the lyrics of the song and playing a including an instrument. This is one of the most important aspects of Indie videos as the artists want to be portrayed as credible musicians. Much like the David Grey video that i have previously analysed (insert link) we have created performance shots from lots of different angles to highlight the artist’s skills as a musician. We wanted to have close ups of the fret board of the guitar as well as the sound hole to show both pieces of a guitar. We also have a lot of close ups of our performer holding and playing the guitar. Also including the instrument is a very important part of the Indie genre because these artists want to be seen as convincing musicians. We thought that it was necessary to include a guitar to emulate this. We took this one step further by having our artist switch from an electric to acoustic guitar towards to end of the video. This adds variety and interest as well as highlighting that our artist is a versatile performer.

                               


Another convention we used was Steve Archer’s theory of integrating the performance aspects of our video with a narrative such as John Mayer’s Shadow Days (http://youtu.be/daGcpvxPbCo1) . This will help relate the lyrics to the visuals of the video and will give the audience something to relate to. It also gives the artist a sense of identity. We decided to amplify and illustrate some of the lyrics in the song. For example “pass it up into the sky” is portrayed with a kite being thrown up into the sky and the use of slow motion editing emphasizes this. We also had the artist saying some of the lyrics to the girl in the video, again illustrating the meaning. We also chose to amplify some lyrics such “whats the point in this mystery”. The whole video revolves around the idea that nobody knows why she is leaving. This follows the enigma code and keeps the audience interested.   We chose to have cross cuts between this story and performance shots as well as adhering to Steve Archers theory it also creates binary opposition between him being alone and with the girl. In one particular scene we chose to use adjacent cross and additive dissolves which fades between these two opposites making it more obvious.




We have developed the idea of the digipack showing our artist in more details. We in fact have made our artist more mysterious as we haven’t got a shot of his face in a single CD photo. As we have seen from typical CD photo booklets and digipacks, including the John Mayer album I have previously analysed, there is at least one shot where you can see the artist’s face. This helps the audience to identify the artist and almost get to know him. It also makes the album seem more personal. We decided that we didn’t want to do this. We wanted to still have that sense of mystery that can be seen in our video. Our artist is included in our CD photos: we see him from the back and from a slight angle, but never from the front. 



A convention that we have developed is the use of intertexuality. We wanted to use the basic conventions of Romantic Comedy movies. The way that we challenged this convention was to change the ending of our narrative to contradict the usual convention of a happy ending. We wanted to do this so that our audience would expect a happy ending throughout the video but then surprise them by having the girl walk away and leave the boy. Much like certain rom coms we wanted our video to reflect the “happy montage” scenes that are typical in these movies. We did this by having our video in chronological order from the morning to the evening. The use of the “home video” hand held shots on the camera phone also give more of an insight into what seems like  a happy and playful day.  We used fast cutting rates and mid shots of the two characters together to emphasise this. To then contrast with this we used a slower cutting rate and more additive and cross dissolves as well as a lower key color filter to highlight the problems between the couple and create a more melancholic atmosphere.



A convention we challenged was the use of point of view shots. Most music videos will have an to objective to help to audience identify and feel closer to the artist  like in the Joshua Radin video where the subject is very personal to the artist. We took this a step further by introducing “home” handheld footage shot by the artist. This allows the audience to see exactly what the artist is seeing and help them feel closer to him. It also makes the audience feel sympathetic towards him as they get to see what he is losing; seeing him at his most vulnerable  The use of the overlaying flashing credit identifies the footage as being on a phone and we also lowered the resolution to make the footage less high quality. This creates a contrast to the rest of our footage. This is different from most music videos where the footage will be filmed in the third person and the main focus will be the artist whereas we chose to focus on the girl.




Another convention that we challenged that was also picked up on by our audience was the absence of the remaining instruments featured on the track. Even many solo artist have a band featured with them if there is a "band-like" arrangement in terms on instruments on the track. We decided not to have to so that there was sole focus on our artist. When we originally started planning our video we were going to include shots of a drumkit and other guitarists but then decided that it would detract from our artist and may also give the audience the impression that he was part of a band. This can be seen in the David Grey video that I had previously analysed (http://www.youtube.com/watch?v=uqIFYv1_yHI) where a drummer is featured even though the artist is solo. To compensate for this however we chose to use a variety of different camera angles including close up and mid shots of the acoustic guitar and then close ups on the bridge of the electric guitar. We thought it was important to emphasise the fact that the video is for a solo artist and we wanted to focus to be on the storyline.
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Question2.



Question3.

As well as showing the video to peers from our target demographic I also showed the video to my family to get some initial response. Like some of our other audience members they were slightly confused as to what story we were trying to tell and were left needing to watch it a second time to understand it. Looking back, I think that we may have tried to convey too complicated a storyline and should have stuck to something simpler that we could have portrayed more effectively. They did however like the home footage that we shot as it gave a new and different perspective to the video. My mother in particular thought that some of the transitions we used could have been smoother or more thought about in terms of what dissolves we used as she found it a little repetitive.

Overall we have had mixed feedback, some audience members found it to be a very effective and well executed music video that they would watch again and some found it a little confusing. Obviously it is impossible to please everyone but I think that there are minor adjustments that we could have made to overall create a more authentic music video.

Question4.




Overall I used many different media technologies to plan, create and evaluate our media product. Some of these technologies I had used before such as blogger and the HD cameras and final cut express but now I feel that I have developed these skills and have learnt new and more effective ways of using them such as opening numerous sequences in final cut express and adjusting the settings on the camera. Using photoshop was a new experience for me as I had never used it before. Watching tutorials on youtube helped me understand the more advance skills that I would need to learn but ultimately playing around with the programme and creating practise images is how I got to grips with it. I now feel that I am pretty competent in using this programme. Sliderocket and Slideshare were also new websites that I used and they became particularly useful in keeping all my presentations in one place and it made it easier for me to embed this information into blog posts via an embed code in the HTML box in blogger.

Ancillary Texts

Front Cover
Inlay 1

Inlay 2

Inlay 3


Inlay 4
Inlay 5
Back Cover




Advert


Wednesday 19 December 2012

Digipack Dimensions and Layouts

There are different templates that can be used when creating a digipack booklet/inlays and each one has there advantages and disadvantages

This is a new way layout of CD where the CD case it integrated with the covers and inlays. This creates a continuous line of photos with the 3 inlays but the still keeps the back and front cover separate  allowing for some subtle differences in fonts and colors without it looking miss matched. This caters for 4 inlays (one behind the disc), a front and a back cover.
 This inlay booklet does allow for a continuous line of images as the whole booklet folds out into one. This is good if you want to display lots of images of your artist or if you want to display the lyrics for all of your tracks. I think that this type of template means you need a running theme throughout all of your images. This caters for 6 inlays, a front and a back cover.

 This is the standard booklet that you would find separate from the CD and the front and the back cover. This would be typical if the album was being sold as a hard CD and not a digital download. It is a very common template used by popular musicians. This allows for 8 inlays.

This is a more basic form of digipack booklet used for albums with minimal images. It only allows for 2 inlays, one behind the disc and a front and a back cover. This kind of template could be used by artists who pride themselves on being minimal and simple and could be good for an Indie artist.

Sunday 16 December 2012

Masking- Photoshop tutorial

For our advert we want to cut our our artist from a previous photo and mask him onto a different background and the mask the album cover over the blank board that we had him hold. With everyone in our group being new to photoshop we thought it would be good to find a tutorial that would show us how to do this.


Creating a Contact Sheet- photoshop tutorial

For one of our inlays of our digipack we wanted to have a contact sheet of behind the scenes shots of the overall production of the music, video and photoshoot for the digipack. This would allow the audience to feel more connected to the audience and would also show that he is involved in all aspects of the album making process and is a credible artist.

We did not know the best way of creating a contact sheet so I found a tutorial on youtube explaining photoshop's default setting for creating one.




 

Magazine Advert Analysis

Especially for Indie artists, it is important to have an eye catching and effective advert displaying an album. Even with the rise of the internet, magazines such as NME and Mojo are still extremely popular in advertising new Indie music. Here are some examples of these adverts.


This is an advert for a single rather than an album but it still shares some characteristics that we would use in our album advert. 
Layout- All the features are equally spread across the page and everything is framed appropriately adhering to the rules of thirds with Bugg  being displayed on the right. The layout along with the choice of sizes fro the fonts, lead your eyes down the page to be left with his website. 
Color- The color scheme is very "greyscale" with not much color. It is also very minimalistic which reflects his music. The black text is bold and stands out in front of the lighter background. This color scheme also adheres to the BBC radio 1 logo which is always black and white.
Font- the font is very simple and plain and all the text is written in capitals which shows a certain determination and boldness. It makes the artist seem strong and confident. 
Content- It is very simple with just one picture of the artist. He is also holding a cigarette which hints at the idea of rebellion and almost freedom which is what Indie artists often emulate. There is also very little text which means that the text that is there stands out. He is looking straight to camera which makes a connection with the audience but the profile stance adds an sense of mystery and is almost intimidating

Ed Sheeran has been a breakthrough Indie artist in 2011 and 2012 and has gained critical success. 
Layout- The layout of this advert again draws attention to the artist himself. And the way the text is set out draws your eyes down the page to the legal text and the text displaying other platforms to consume his music. 
Color- The colors follow the recurring theme of Ed Sheeran with the orange, black and white. This gives the artist a certain identity and makes the advert instantly recognisable. These colors also contrast well meaning that the text stands out on the page. The orange also reflects Ed's distinct ginger hair.
Font- the fonts is the same that is used across all of Ed Sheerans text and is instantly recognisable as his own. This again creates a sense of identity.
Content- The advert again is very minimalistic and simple, reflecting the simplistic nature of his music. It has a quote from a credited source which makes the album more desirable. Something that we would want to emulate in our advert. Sheeran is not looking into camera but the extreme close up of his face creates the connection with the audience and makes it more personal. 


This is the 2nd album from artist Jack Johnson after his very successful debut album "In Between Dreams" 
Layout- this is a slightly different layout to what we have previously seen with the page being split into two. The top half shows the cover of the album so that it could be easily found in a music store etc. The bottom half contains all of the technical details, text and legal text. 
Color- the colors are all quite cold except for the pop of orange in the top left hand corner of the page. This color scheme links with the album cover and generates an overall theme between the texts. 
Font- the fonts of artist is different to the rest of the text on the page. The "Jack Johnson" text is in a font that is used on all of the artists work and creates a sense of identity and makes it more recognisable. The font of the rest of the text is plainer and easier to read. It also makes the page less busy in comparison to what it may have looked like if the first font was used the whole way through. 
Content- there is more text on this advert compared to others that have been looked at. It includes the name of his new single and also the different means of buying his music including 9" which is a vinyl record. Something that is becoming increasingly popular amongst Indie artist and audiences. There are also logos of record labels and websites and social media sites where the audience can learn more about the artist.



Vampire Weekend are an Indie band who have earned a loyal fan base through their unique style of music. 
Layout- this is  avery simple layout which hardly any features. The large image catches your eye immediately and the writing is laid out down the page with the artists name at the top. 
Color- there are quite a lot of pastel colors with the yellow of her shirt and the pink background. The white writing stands out on top of this but is still in keeping with the overall softness of the advert in comparison to if the text was black for example. 
Font- the font is very plain and again is written in capitals suggesting a boldness.
Content- there is very little content on the advert. The image is the cover of their album and bears no link with the band itself. There is very little legal text apart from the small print at the bottom. I think that the simplicity and boldness of the advert catches the audiences eye and is very effective 

Wednesday 21 November 2012

Editing Progress

Because, when we filmed we were unable to film certain shots and filmed extra shots, our final product will be different from our original storyboard. Also we realised that our storyboard had a very fast cutting rate so some of our shots in our final piece will be longer and therefore some shots have had to be removed as we cannot fit them in.

We are also having trouble making our iphone footage recognisable as being filmed on a phone and we are looking for ways to possible get a "recording" symbol in the corner of the shots, or possibly having a multiscreen showing all of the footage at once. We are also looking into filming another shots of our artist looking at the footage in his phone and then zooming in to blend the shots and then it will be obvious that is is phone footage.

Friday 9 November 2012

RIsk Assesment

Not filming at school means that there are many risks that we need to take into acount.

Risk: Going to far out to sea and equipment/actors being pulled out into deep water
Precaution: We shall only paddle in the shallow water and not tke any equipment into the water.

Risk: Filming the last shot in the road and obstructing cars
Precaution: we will have one person looking out for cars in the roads at all times and will warn us if there are any cars coming

Risk: getting burnt or catching fire to things whilst lighting and filming with the tea lights
Precuation: we will take extra care when lighting them, making sure there is no hair or clothing in the way and will also have one person checking the tea lights whilst filmiung is taking place

Risk: Our artist dropping the girl whilst he is spinning her round
Precuaition: he will pick her up in the proper manner and we will stop frequently so that he can put her down and not hurt himself

Risk: Sitting on the sharp rocks or falling off rocks
Precaution: we will look around the various rock pools and pick the safest and most suitable place for him to sit, making sure that it is level

Risk: falling when trying to sit on top of the beach hut
Precuation: someone will help Harris climb on top of the beach hut whilst someone is watching and standing beneath him in case he falls

Risk: filmer or actor falling off the beach hut whilst filming
Precaution: somone will be watching them whilst they are filming whilst another stands beneath the hut to advise the two where to postition themselves

Filming Schedule

Because we only have this one day to ilm we thought it would be a good idea to plan out our day. It will also help us sort our footage and make sure we have all of our shots.


9:00am - everyone meet at my house to set off for Frinton.
11:00am - arrive at Frinton beach.

11.10am - Shoot the car scenes, have our artist drive the car, park up and get out with female.

11:30am - Check the shot list, and check that we have all the relevant car scenes.

11:35am - Go down to the beach and start filming all of the beach scenes.

1:30pm - Check that we have all of the relevant beach scenes.

1.35pm - Start filming all of the rock scenes, making sure that he sings the full song through for every shot that we do.

2.30pm - Check that we have every rock shot.

2.35pm - Start filming all of the beach hut scenes, and again make sure that he sings the whole song through for every shot.

3:00pm - Check and make sure that we have all of the beach hut scenes.

3:05pm - Start filming the kite scenes (have to make sure that the weather isn't too dark to film this, as the kite needs to be very visable)

3:30pm - Check and make sure that we have all of the kite scenes that we need.

3:35pm - film the pavilion and ice cream shots. 

4.15pm - Check and make sure that we have all of the pavilion shots that we need to have.

4.20pm - Film the tea light beach scenes, making sure that it is the right light. This means that we need it to be dark enough to use the tea lights and have them visable, but not so dark that you can't see our artist whilst he is performing.

5:00pm - Refer back to the shot list and check that we have every shot that we need. Check the shots and make sure that they are a good quality and that none need to be re-done.

Final Props and equipment List

The final prop list for our filming day at the beach are:

-CAR
-GUITAR- electric and acoustic
-SMALL GUITAR AMP
-KITE
-ICE CREAM
-IPHONE
-TEA LIGHTS

The equipment we will need is:

-CAMERA
-TRIPOD
-REFLECTOR BOARDS
-STRIP LIGHT
- CAMERA CHARGER

Thursday 8 November 2012

Digipack- practice wallpaper

Having come up with a concept for our front, back and two of the inlays of our digipack, we decided it would be good to test out the wallpaper idea. We bought some brick wallpaper and wrote the lyrics on it. More wallpaper was then stuck over the top ready to be torn off.


Digipack Font Research

OUR ALBUM TITLE

Photoshop Tutorial - Filters

For one of the inlays of our digipack, we are creating a production montage. For this particular inlay we want to add a sepia type filter to all of our photos. Having not had much experience with Photoshop, I decided to look for a tutorial to find out how to add filter layers.


Video Narrative

Music videos often have a mix between the narrative and the performance. This narrative has to have some relation to the lyrics of the video.

Indie videos in particular have a connection with the lyrics and often tell a relatable story that the audience can identify with. They often tell a love story or a story of desperation.

This is evident in Ed Sheeran's music video for The A Team.

This video tells the story of a young girl caught up in drugs and prostitution. The use of a handheld camera adds to the sense of poverty that the video emulates. It is shot much like a film and follows the day of the young girl. This is something that we want to take and use to follow our artist throughout the last day from the morning to the evening. Although the story of the video may not be one that audience members can directly relate to, it is an everyday problem and highlights sadness which is a common feature of indie music.